At The Worcester Art Museum, New Signs Tell Visitors Which Early American Subjects Benefited From Slavery

Category: Inclusion
portrait of the Worcester Art Museum
image at the Worcester Art Museum

The Worcester Art Museum has begun to revise labels in its artwork to mitigate inherent biases.

We tend to think of New England and Massachusetts in particular as an abolitionist state, which it was, of course, but there’s this kind of flattening of the discussion of slavery and its history in the states — that the North was not at all complicit and it was a Southern enterprise,

-Elizabeth Athens

At the Worcester Art Museum's early American portrait gallery, I was recently struck by a painting of a man named Russell Sturgis. In the portrait, Sturgis wears a coat with a fur stole and what looks like luxurious taffeta. He sits on a gilded chair, with lush green velvet padding.

Continue Reading at Wbur

AAM Member-Only Content

AAM Members get exclusive access to premium digital content including:

  • Featured articles from Museum Magazine
  • Access to more than 1,500 resource listings from the Resource Center
  • Tools, reports, and templates for equipping your work in museums
Log In

We're Sorry

Your current membership level does not allow you to access this content.

Upgrade Your Membership

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *