Exhibitions

The Six Tools for Effective Digital Design

By Barry Joseph

In 2020, after a fifteen-year run working in museums on digital engagement projects, I decided to start my own consultancy. In the process of building it, I often heard from people familiar with my projects, whether from my blog, social …
The Earnest Work of Dreaming: Chicanafuturism in Visual Art

By Jadira Gurulé

Visions of the future created by and centering the experiences of Black, Indigenous, and other people of color (BIPOC) are essential to our collective potential to transform the world as we know it. For decades, BIPOC artists working in …
The Value of Traveling Exhibits

By Cecelia Walls

This infographic shows some of the important ways that traveling exhibits provide financial, educational, and mission support for the museum. The Value of Traveli…
Crafting Cardboard Experiences: The Activity that Evolved into an Exhibition

By Joe Imholte and Keith Braafladt

This article first appeared in the journal Exhibition (Spring 2023) Vol. 42 No. 1 and is reproduced with permission. www.name-aam.org. If you don’t read the journal, learn how you can subscribe to Exhibition to receive your copy of the …
Tough Art: Building a Collection at Any Price

By Anne Fullenkamp

This article first appeared in the journal Exhibition (Spring 2023) Vol. 42 No. 1 and is reproduced with permission. www.name-aam.org. If you don’t read the journal, learn how you can subscribe to Exhibition to receive your copy of the …
Trusting the Process: The Collaborative Journey to Reframing a Problematic Object

By Amy Gilman

“Put it in storage.” “Replace it with something else.” “Put up a new label.” “Do nothing.” These were some of the solutions offered up when the Chazen Museum of Art at the University of Wisconsin–Madison began exploring how to confront …
Different by Design: A New, Inclusive Framework for Accessible Museum Exhibitions

By Sarah Schleuning

In January 2020, I authored a post for the Alliance Blog about speechless: different by design, an exhibition that I curated for the Dallas Museum of Art (DMA) and the High Museum of Art in Atlanta. The exhibition was an experiment—one …
“Wait, What? Toddlers in an Art Museum?”

By Nicole Cromartie & Bailey Placzek

Caitlin Mock Wilson, a mother of two young children and a Clyfford Still Museum (CSM) member, often went to museums with her parents as a young child. When she had her own children, she said it “felt natural” that she would also bring them …
An Example of Strategic Foresight in Museum Planning

By Ann Fortescue

In March, the Alliance released my major pandemic project: The AAM Strategic Foresight Toolkit, a comprehensive guide to applying the skills of futures thinking to museum practice. Over 300 people have purchased the Toolkit, and I have …
Effective Exhibitions Should Provoke!

By Tsione Wolde-Michael and Nancy Bercaw

Effective exhibitions disrupt the notion that history remains locked in the past. Done right, an exhibition can make history a practical tool for justice by recovering silenced narratives and prompting audience reflection on history’s …