Skip to content

20 Years and Counting: James Pepper Henry’s Multifaceted View of NAGPRA

Category: Museum Magazine

This article originally appeared in the November/December 2010 edition of Museum magazine.

TWENTY YEARS AGO the Native American Graves Protection and Repatriation Act was passed by Congress, and with a single piece of federal legislation, a new era began in the complicated relationships among tribes, the government, and museums. NAGPRA laid out a process for federal agencies and museums to return Native American cultural property-human remains, funerary objects, sacred objects and objects of cultural patrimony-either in museum collections or in the hands of federal agencies, to the proper Native American tribes. And there began the journey.

NAGPRA has been hailed on all sides as a historic attempt to right decades of moral and legal wrongs. But it has also been criticized by Native Americans and museum professionals as a poorly funded mandate that created financial, administrative and even spiritual problems that have proven burdensome and intractable: for example, disputes between tribes over identity, ownership and proper reburial of remains, or the problem of museum-held artifacts tainted with pesticides, cyanide or arsenic. Two decades later, less than 30 percent of human remains in collections have been repatriated.

Museum turned to a man who is perhaps unique in having intimate knowledge of NAGPRA from the Native, museum and federal viewpoints. James Pepper Henry, who spoke recently with AAM Press Publisher John Strand, is director and CEO of the Anchorage Museum at Rasmuson Center. He was associate director of the Smithsonian’s National Museum of the American Indian and played a pivotal role in the establishment of the National Museum of the American Indian on the National Mall in 2004. A member of the Kaw Nation of Oklahoma and the Muscogee Creek Nation, Pepper is president of the Kanza Il6shka Society, dedicated to the perpetuation of the culture and .traditions of the Kaw people.

Twenty years after it was enacted, what grade would you give this much-debated federal legislation?

I would probably give it a “C.” And I think that’s being pretty generous, to be honest with you.

In keeping with that generosity, let’s start with what has worked with NAGPRA. What do you find on the plus side of the ledger?

The fact that the act even exists is definitely a plus. It has drawn attention not only to the issue of ownership of cultural materials but also to a larger perspective about the rights of a specific group of people-or their lack of rights. And restoring rights to a group of people that had them either taken away or just not acknowledged-I think that’s incredibly important. So NAGPRA really, in a way, is an attempt at remediation for injustices that have happened. The act itself is pretty monumental. In a way, it’s human rights legislation. That’s incredibly important. The intent of NAGPRA is a good one .. To date, almost a quarter of a million unassociated funerary objects have been repatriated. Over 1,500 individuals have been repatriated. And thousands of associated funerary objects and sacred objects have been returned.

What hasn’t worked well?

The system that NAGPRA is in needs an overhaul. First of all, NAGPRA is managed by [the National NAGPRA office of] the National Park Service. You have a piece of federal legislation that mandates federal agencies to comply. But the act and the compliance for the act itself are managed by a federal agency that’s out of compliance. [See sidebar on the Government Accountability Office’s (GAO) report from July.]

The National Park Service is in violation of NAGPRA?

Yes. There’s a conflict there that won’t be easy to resolve. There’s not a lot of credibility with the National Park Service when they’re out of compliance with the act they are charged with administering, specifically with the completion and distribution of inventory summaries of Native materials. The deadline was nearly 15 years ago. They have the responsibility to ensure that all federal agencies comply with the law, including themselves. I think it’s hypocritical to have the oversight of NAGPRA be within the National Park Service when they have gotten away with noncompliance for so long without any significant consequences. It sends a message to the other agencies
that they can let compliance slide, too. The NAGPRA program really needs to be elsewhere.

What about the NAGPRA Review Committee? Can’t it force compliance?

The NAGPRA Review Committee is left here to review cases where there are disputes. They consult the Secretary of the Interior in developing regulations to implement the act. The Secretary, based on findings from the Review Committee, may assess civil penalties to individuals, agencies, and organizations that violate the act, but the committee has no authority to ensure these actions are enforced. The Secretary is resistant to assessing penalties to agencies and bureaus within the Department of the Interior and other federal agencies for obvious reasons. This severely weakens the effectiveness of the Review Committee.

The federal government is the single largest possessor of Native cultural materials. The number of objects and human remains could be in the millions. But we don’t know because many other federal agencies, not just the National Park Service, are out of compliance with regard to completing their inventories. The Bureau of Indian Affairs is out of compliance. The Bureau of Land Management is out of compliance. The Bureau of Reclamation is out of compliance. Fish and Wildlife Service is out of compliance. The Forest Service is out of compliance; the Army Corps of Engineers is out of compliance; the Tennessee Valley Authority is out of compliance. All these major federal agencies that have a huge chunk of the land base in the United States under their control are out of compliance.

Headshot of a man wearing a red vest with a black shirt standing in front of green bushes.

Is the solution to go outside the federal government? Is NAGPRA enforcement something that should not be federally controlled?

No. If it were under the auspices of the Department of Justice-under the Office of Justice Programs and their American Indian and Alaska Native Affairs Program, as one option-we would see more enforcement of the regulations, more prosecutions of illegal trafficking. This option would at the very least resolve the conflict of interest that the National Park Service and the Department of Interior have in administering and ensuring compliance with NAGPRA. In my opinion, Congress needs to respond to the recent findings of the Government Accountability Office report citing the noncompliance of federal agencies with NAGPRA and impose meaningful consequences for those agencies and bureaus that are dragging their feet [see sidebar]. There are just not enough resources for the NAGPRA Review Committee and for the National Park Service through the grant programs to really meet the needs of the tribes and the museums that are trying to comply or trying to reclaim cultural material.

On the list of things that need to be repaired immediately in NAGPRA, is the next item the funding available to actually complete the work that the law requires?

Right, to fund it adequately. The program is woefully underfunded, and Congress can help here, too. The program needs to be moved, it needs to be better funded, and the grant program certainly could use more resources.

In the present climate in Washington, what do you think the chances are for increased funding for NAGPRA?

It hasn’t been a priority to this point. There are a few people in the Senate and in the House who are pushing for this. Native Americans represent, probably, less than 2 percent of the population in the United States. There’s not a huge voice out there calling out for change. We’ve got the National Congress of American Indians that is the lobbying group for Native Americans. But I don’t know that there’s a loud enough voice or a critical mass to get the attention of Congress to help address this. There are other priorities for Congress right now. Funding for NAGPRA is probably not something that’s going to get a lot of attention, unfortunately.

Excerpted newpaper copy of the NAGPRA.

You’re somewhat unique in that you have experience in several different realms that NAGPRA comprises: the tribes, the federal government, and the museums. From the museum perspective, how do you rate NAGPRA?

It’s hard to put a grade on that because there’s such a wide spectrum of perspectives in the museum community about NAGPRA. One good thing that NAGPRA has done is to compel museums to have a dialogue with their Native constituents and the descendants of the people who created many of the objects that are in these repositories and museums. That’s a good thing-it’s getting people to talk about things and to talk about perspectives and interpretation and also cultural sensitivities. That has been positive for all museums, now that muse~ms have to open up their doors more and be accountable to the populations or the communities they’re representing in their own institutions. Some people in the museum world might think it’s a nuisance to do that. But the majority of folks will say that it is good that there’s a dialogue now. There’s certainly more understanding.

It’s been a lot of work for museums to produce the inventories that were required under NAGPRA-to go through the compliance process and then the notification process when a claim has been made. There’s been a lot of confusion over the past 20 years regarding the NAGPRA process. In some ways, it’s been a burden on the museums. But on the flip side, it has focused them on understanding what they have in their collections.

Native textile with a humanoid figure and birds.

So NAGPRA has been a learning opportunity and a chance for museums to deepen their understanding of the Native American collections they hold?

And it’s been a part of a cultural shift within the museum world. For a long, long time-probably up until 20 or 30 years ago-anthropologists, scholars and curators saw themselves as the experts and the knowledge keepers of other people’s cultures. NAGPRA has brought this change in perspective to the forefront. Now people realize that it’s hard to be an expert in somebody else’s culture without really having a relationship with that culture. This next generation of museum professionals and anthropologists are much more open-minded in that regard. If you look at the first tthree-quarters of the 20th century, there wasn’t a good relationship between the academic community and the Native community. Now that’s changing. There’s more of a dialogue and sharing of knowledge back and forth.

Sharing how?

The acknowledgment that members of the community are also experts- even though they might not have a formal degree. And, that they are owners of that intellectual property. There’s more respect now in the academic community for that knowledge. The knowledge is, in many ways, the property of that community, and [academics and experts] need to seek permission to at least collaborate on its presentation in exhibitions, catalogs and academic papers. There’s an acknowledgment that there are actually rights and privileges associated with this knowledge.

What advice do you have for museums attempting to comply with NAGPRA legislation now, after 20 years of experience with the legislation?

There are some people who are only going to do the bare minimum with regard to NAGPRA compliance. And not even that. And some institutions will try to interpret NAGPRA for themselves. My advice to museums-and to tribes, too-is to look at the intent of the legislation. The intent is to acknowledge not only the rights of Native Americans but that they have a voice in the interpretation and ultimate disposition of their associated cultural materials. There is a connection from the past to the present; I think people forget about that. They tend to disassociate things that are in a repository with living, breathing people. If museums understand that this legislation is about connecting the past and the present and acknowledging the rights and the beliefs of a group of people who may have a different perspective on things, then I think that opens up the dialogue.

It’s complicated with the tribes, too. The tribes have been forced to get their acts together, along with the museums.
The museums had to get their inventories in order, consulting with the tribes to determine the affiliation of a lot of the material. But on the flip side, a lot of the tribes weren’t prepared for this, either. Many tribes still don’t have statutes that address cultural patrimony, culturally sensitive materials, the management of those materials and, in some cases, the disposition of those materials, who has ownership within the tribal community or who the caretakers are.

The goal is preservation. And not just the objects, but also the cultures associate, with these objects. Some of the best-case scenarios are where museums and tribes are collaborating together. One example is right here in Alaska: The Alaska State Museum in Juneau has an agreement with some of the Tlingit clans in the area to be a repository for their cultural materials, where the community has access to that material for ceremonial use. But they have a safe place to return those objects so they can be preserved for generations. That’s a scenario where NAGPRA has really helped create a positive relationship.

AAM Member-Only Content

AAM Members get exclusive access to premium digital content including:

  • Featured articles from Museum magazine
  • Access to more than 1,500 resource listings from the Resource Center
  • Tools, reports, and templates for equipping your work in museums
Log In

We're Sorry

Your current membership level does not allow you to access this content.

Upgrade Your Membership

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Subscribe to Field Notes!

Packed with stories and insights for museum people, Field Notes is delivered to your inbox every Monday. Once you've completed the form below, confirm your subscription in the email sent to you.

If you are a current AAM member, please sign-up using the email address associated with your account.

Are you a museum professional?

Are you a current AAM member?

Success! Now check your email to confirm your subscription, and please add communications@aam-us.org to your safe sender list.