3D printing, also known as rapid prototyping or additive manufacturing, is being utilized by architects, designers, artists, and consumers, and is becoming increasingly common and technically sophisticated. In short, it describes the process of creating a three-dimensional object via computer-aided design (CAD) programs and digital files, printing it using a range of materials from plastic to metal more conventionally, to all kinds of experimental materials like chocolate or shrimp shells. Originated as a technology to rapidly produce prototypes, 3D-printed artworks are now progressively entering collections. While long-term condition prognosis still awaits discovery, some printing materials are known to quickly yellow and degrade. At the same time, the inherent reproducibility of the technology challenges us to rethink appropriate preservation measures for cases where the boundaries of what constitutes the “original object” may not be as clearly defined.

The goal of this program is to address caretakers and creators alike and help them understand these objects’ technology, risks, and requirements. In this way, the virtual symposium will serve as a platform to develop guidelines within the community towards the long-term stewardship of both the printed object and accompanying digital files necessary if reprinting becomes a viable option.

Participants who register by September 1 will receive a complimentary 3D-print sample set in the mail (international participants must pay a $10 shipping fee here to receive the sample set).

The live virtual symposium will take place on Zoom and automated live captions will be available for those who choose to use them. The program will be recorded and registrants will have access to the recordings following the live sessions.

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The statements and opinions expressed by panelists, hosts, attendees, or other participants of this event are their own and do not necessarily reflect the opinions of, nor are endorsed by, the American Alliance of Museums.