Posts

Curatorial Practice

The Hand of Native American Women, Visible at Last

By Tess Thackara, Nytimes

Taking Native Lands and Lives

By Christine Lashaw
Logo of Center of the Future of Museum's Space Slug

Should These Clothes Be Saved?

By Vanessa Friedman, Nytimes

What Can the Museum World Learn From Hilma af Klint?

By Shirine Saad, Slate Magazine

Collecting Girlhood: Why the new activist museum is virtual

By Tiffany Rhoades Isselhardt
Headshot of Tiffany Rhoades Isselhardt, a white woman with long dark brown hair wearing light rimmed glasses.

Clean House to Survive? Museums Confront Their Crowded Basements

By Robin Pogrebin, Nytimes

Through the ephemeral, Tenderloin Museum explores neighborhood’s past

By

What does it mean to decolonize a museum?

By Elisa Shoenberger, MuseumNext

Curator as Catalyst: How an interdisciplinary fellowship inspired “a new way of doing museum”

By Dr. Edith Doron
Headshot selfie of Edith Doron taken from her computer sitting at her desk with a pencil in her hand positioned at her chin.

Writing Fashion History at the Met, One Dress at a Time

By Steff Yotka, Hunter Abrams, Vogue

Listen to the Interns: The Importance of the “Budding Scholar” for Museum Decolonization

By Ashleigh Smith
Headshot of Ashleigh Smith, a young black woman with her dark hair pulled back wearing a light colored sweater and smiling at the camera.

Museums are curating an era of social movements in real time

By Ivette Feliciano, PBS.org
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